Michael Kagan: I Am My Father's Son

March 8 - April 14, 2012

Fascinated with using thick semi-abstract paint to study personal, historical and fictional experiences of space travel, Michael Kagan’s Space images have opened up outlets to expand painting technique, brushwork, and abstraction in his work. Inspired by artists such as De Kooning and Richter, he walks the line with tension and anxiety between abstraction and representationalpainting. The iconic images of astronauts and rocket launches become the vehicle to express this tension.

In the series exhibited at Space Gallery SBH, Kagan’s paintings concentrate on the possibilities and power of light; sometimes the images are excitingly blown out or photo bleached and sometimes create soft calm shadows. He renders opposites; fast, powerful, chaotic senses with mediated areas. Thick, fast, and at times explosive overlapping brush strokes cross and interweave violently throughout the canvas. However, the flurry of brush strokes dissolves, and then come together to form an image of peace and tranquility and silence in space or contrastingly the kinetic frenzy inherent in a rocket blast, further amplified by the large scale of the work. Machinery, complex space hardware, reflections, and launch explosions are broken up into thick strokes and layers of paint.

Astronauts can be interpreted as the modern day Icarus or sky god. Michael Kagan uses this imagery in his recent paintings in order to emulate the cinematic experience of an impassioned viewer of space travel. Kagan’s fundamental interest in space travel stems from childhood experiences at the NASA space camp, model rocket launches in the park, and nighttime telescope viewings of the moon.

Private viewing by appointment. 

For all inquiries please contact [email protected]

Untitled (Rocket), 2011

Michael Kagan

Untitled (Rocket), 2011

Oil on linen

152 x 86 cm

Based On Actual Events: Scene 1 , 2012

Michael Kagan

Based On Actual Events: Scene 1 , 2012

Oil on linen

61 x 61 cm

Untitled (Astronaut) , 2011

Michael Kagan

Untitled (Astronaut) , 2011

Oil on linen

30 x 30 cm

Lift Off 4, 2012

Michael Kagan

Lift Off 4, 2012

Oil on photo (postcard)

14 x 9 cm

Blink Once For Yes...Twice for No, 2012

Michael Kagan

Blink Once For Yes...Twice for No, 2012

Oil on linen

61 x 61 cm

Based On Actual Events: Scene 2, 2012

Michael Kagan

Based On Actual Events: Scene 2, 2012

Oil on linen

61 x 61 cm

Lift Off 5, 2012

Michael Kagan

Lift Off 5, 2012

Oil on photo (postcard)

14 x 9 cm

Lift Off 3, 2012

Michael Kagan

Lift Off 3, 2012

Oil on photo (postcard)

14 x 9 cm

Thunderkiss II, 2011

Michael Kagan

Thunderkiss II, 2011

Oil on linen

152 x 203 cm

Based On Actual Events: Scene 3, 2012

Michael Kagan

Based On Actual Events: Scene 3, 2012

Oil on linen

61 x 61 cm

Lift Off 2, 2012

Michael Kagan

Lift Off 2, 2012

Oil on photo (postcard)

14 x 9 cm

Based on Actual Events: Scene 4, 2012

Michael Kagan

Based on Actual Events: Scene 4, 2012

Oil on linen

30 x 30 cm

No Alarms and No Surprises, 2012

Michael Kagan

No Alarms and No Surprises, 2012

Oil on linen

61 x 61 cm

Click, Click, Boom, 2012

Michael Kagan

Click, Click, Boom, 2012

Oil on linen

30 x 30 cm

Lift Off 1, 2012

Michael Kagan

Lift Off 1, 2012

Oil on photo (postcard)

14 x 9 cm

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Michael Kagan: I Am My Father's Son
March 8 - April 14, 2012 Fascinated with using thick semi-abstract paint to study personal, historical and fictional experiences of space travel, Michael Kagan’s Space images have opened up outlets to expand painting technique, brushwork, and abstraction in his work. Inspired by artists such as De Kooning and Richter, he walks the line with tension and anxiety between abstraction and representationalpainting. The iconic images of astronauts and rocket launches become the vehicle to express this tension. In the series exhibited at Space Gallery SBH, Kagan’s paintings concentrate on the possibilities and power of light; sometimes the images are excitingly blown out or photo bleached and sometimes create soft calm shadows. He renders opposites; fast, powerful, chaotic senses with mediated areas. Thick, fast, and at times explosive overlapping brush strokes cross and interweave violently throughout the canvas. However, the flurry of brush strokes dissolves, and then come together to form an image of peace and tranquility and silence in space or contrastingly the kinetic frenzy inherent in a rocket blast, further amplified by the large scale of the work. Machinery, complex space hardware, reflections, and launch explosions are broken up into thick strokes and layers of paint. Astronauts can be interpreted as the modern day Icarus or sky god. Michael Kagan uses this imagery in his recent paintings in order to emulate the cinematic experience of an impassioned viewer of space travel. Kagan’s fundamental interest in space travel stems from childhood experiences at the NASA space camp, model rocket launches in the park, and nighttime telescope viewings of the moon. Private viewing by appointment. For all inquiries please contact [email protected]
https://cdn.artcld.com/img/w_400,h_400,c_fit/zw19qq9jpfmfiohm9v4g.jpg
Space Gallery St Barth
New York City
New York
2012-03-08T00:00:00.0000000
2012-04-14T00:00:00.0000000