Victor Matthews, Paolo Nicola Rossini: Transitions/Transizioni

July 26 - September 22, 2013

Following on from its success at the 55 Biennale di Venezia, the exhibition Transitions will travel to the Boca Museum of Art, in Boca Raton, Florida this July.  A special preview event will be hosted on Friday 26th July with music by the legendary DJ Jellybean Benitez.

Transitions, which was selected as a Collateral Event of the 55th International Art Exhibition – la Biennale di Venezia comprises painting and sculpture by Victor Matthews and photography by Paolo Nicola Rossini. Curated by Natalie Clifford, it is the first collaborative exhibition of the two artists. The catalogue additionally contains texts by Francesco Clemente, Salman Rushdie and Kathleen Goncharov. 

The Boca Museum of Art and Kathleen Goncharov are delighted to present an exhibition of work by Victor Matthews and Paolo Nicola Rossini exploring the theme of Transitions. Both artists question universal themes such as life, memory, dream and the subconscious, reality, time and space and transition from one moment or reality to the next.

Rossini’s photography developed from the need to find a deeper conceptual approach to his work and a personal way of seeing and representing reality through landscapes (in the loosest sense of the word), elements, people and various still life. His multilayered images appear as suspended in time and space, almost indefinite as moments collide. 

His photographs melt their subjects together within each image, which combination changes the identity and reality of what the viewer sees, making the work seem more like a painting. The overlap of sequential images dissolving together creates a real distortion of the space. Rossini creates the illusion of depth and engages the viewer in seeking recognizable imagery by inventing a familiar yet anonymous terrain, simultaneously. This process aims to catch reality in its transition - a suspension between past and present; transition of spaces, subjects and moments .The photographs lose definition, their detail tends to disappear. The viewer is drawn to explore the abstract layers of information and Rossini seeks to engage us in the game of duality; creating a false imagery that lies somewhere between reality and illusion. 

Matthews’ paintings transcend from his dreams. He probes his subconscious in order to unravel universal perceptions of reality, memory and the world around us. His White Paintings, which reference the New York landscape, have a serenity and simplicity about them which is innocent and playful, demonstrating Matthews’ cherished relationship with his city and affording the viewer an intimate look into his psyche.

The interplay of what appear to be shapes become apparent as iconic landmarks - water towers and bridges, cars, sidewalks, fire hydrants - these objects are immediately recognizable to every inhabitant as shared visual terrain; the very essence of Matthews' old Brooklyn neighbourhood. The paintings have a Modernist sensibility and based on a palate of white, the texture of the acrylic plays against the raw-colored linen canvas, demarcated by a strong presence of the two-dimensional — of line – which winds its way through his city charting the cartography of his subconscious mind. 

These paintings dip in and out of the detail of New York which is Matthews' life source - coursing its way through his blood - whether awake or asleep, he lives and breathes his city. Like the man himself, we dance along the joyful, happy strokes that punctuate the canvas – affirmative and present, effortlessly gliding, guiding our way through the metropolis. But it is in the balance and silence of these elegant works, that Matthews’ poised approach and focus are apparent, revealing the inner calm which is Matthews to a tee. He is an artist at peace with himself. The paintings personify a purity within him that transcends time and space.

These two artists present a view of their reality, which leads the viewer to question our own perceptions of our surroundings. Matthews and Rossini challenge the transition of image from the minds eye, externalizing it through their painting and photography. The works suspend themselves on the edge of innovative creative and philosophical thought, and dare to ask where our interaction between the physical world and our imaginative life, begins and ends.

Paolo Nicola Rossini lives and works in Monaco and Victor Matthews lives and works in New York. Both artists are represented by Space SBH – Contemporary Art Gallery. Nuova Icona is the sponsoring institution of the show and provides its management in Venice.

The curator and artists wish to thank all private sponsors for their support as well as Francesco Clemente, Salman Rushdie and Kathleen Goncharov for their time and text contributions to the catalogue.  Additionally, Transitions / Transizioni  is a Sponsored Project of Artspire, a program of the New York Foundation for the Arts. 

Exhibition Opening Period :  26th July 2013 – 22nd September 2013

Museum Opening hours :  Tues-Fri : 10-5pm, Sat & Sun : Noon – 5pm

For more information about preview events contact [email protected]

Ice Frozen Cold I , 2013

Victor Matthews

Ice Frozen Cold I , 2013

Acrylic and wax pencil on canvas

62 x 156 in

Earth Ice Frozen Cold III, 2013

Victor Matthews

Earth Ice Frozen Cold III, 2013

Acrylic, wax pencil and canvas on wood panel

96 x 96 in

"Still" Life 14, 2013

Paolo Nicola Rossini

"Still" Life 14, 2013

Pigmented fine art giclée

100 x 150 cm

Still Life #1, 2013

Paolo Nicola Rossini

Still Life #1, 2013

Limited edition photography

90.50 x 59 in

Frozen City I, 2013

Victor Matthews

Frozen City I, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

183 x 122 x 31 cm

Frozen City V, 2013

Victor Matthews

Frozen City V, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

109 x 84 x 33 cm

Frozen City VIIII, 2013

Victor Matthews

Frozen City VIIII, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

71 x 48.20 x 17.80 cm

Ice Frozen Cold II, 2013

Victor Matthews

Ice Frozen Cold II, 2013

Acrylic and wax pencil on canvas

62 x 156 in

"Still" Life 3, 2013

Paolo Nicola Rossini

"Still" Life 3, 2013

Pigmented fine art giclée

150 x 100 cm

Shapes #1, 2013

Paolo Nicola Rossini

Shapes #1, 2013

Pigmented fine art giclée

150 x 230 cm

Still Life #8, 2013

Paolo Nicola Rossini

Still Life #8, 2013

Limited edition photography

59 x 90.50 in

Frozen City II, 2013

Victor Matthews

Frozen City II, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

109 x 84 x 33 cm

Frozen City VI, 2013

Victor Matthews

Frozen City VI, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

71 x 48.20 x 17.80 cm

Earth Ice Frozen Cold I, 2013

Victor Matthews

Earth Ice Frozen Cold I, 2013

Acrylic, wax pencil and canvas on wood panel

96 x 96 in

Still Life #10, 2013

Paolo Nicola Rossini

Still Life #10, 2013

Limited edition photography

39.40 x 59 in

Shapes #2, 2013

Paolo Nicola Rossini

Shapes #2, 2013

Pigmented fine art giclée

150 x 230 cm

Still Life #15, 2013

Paolo Nicola Rossini

Still Life #15, 2013

Limited edition photography

59 x 90.50 in

Frozen City III, 2013

Victor Matthews

Frozen City III, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

109 x 84 x 33 cm

Frozen City VII, 2013

Victor Matthews

Frozen City VII, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

71 x 48.20 x 17.80 cm

Earth Ice Frozen Cold II, 2013

Victor Matthews

Earth Ice Frozen Cold II, 2013

Acrylic, wax pencil and canvas on wood panel

96 x 96 in

"Still" Life #11, 2013

Paolo Nicola Rossini

"Still" Life #11, 2013

Pigmented fine art giclée

100 x 150 cm

Shapes #3, 2013

Paolo Nicola Rossini

Shapes #3, 2013

Pigmented fine art giclée

150 x 230 cm

Still Life #16, 2013

Paolo Nicola Rossini

Still Life #16, 2013

Limited edition photography

90.50 x 59 in

Frozen City IV, 2013

Victor Matthews

Frozen City IV, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

109 x 84 x 33 cm

Frozen City VIII, 2013

Victor Matthews

Frozen City VIII, 2013

Wood, canvas, sneaker, paint, cardboard sculpture

71 x 48.20 x 17.80 cm

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Victor Matthews, Paolo Nicola Rossini: Transitions/Transizioni
July 26 - September 22, 2013 Following on from its success at the 55 Biennale di Venezia, the exhibition Transitions will travel to the Boca Museum of Art, in Boca Raton, Florida this July. A special preview event will be hosted on Friday 26th July with music by the legendary DJ Jellybean Benitez. Transitions, which was selected as a Collateral Event of the 55th International Art Exhibition – la Biennale di Venezia comprises painting and sculpture by Victor Matthews and photography by Paolo Nicola Rossini. Curated by Natalie Clifford, it is the first collaborative exhibition of the two artists. The catalogue additionally contains texts by Francesco Clemente, Salman Rushdie and Kathleen Goncharov. The Boca Museum of Art and Kathleen Goncharov are delighted to present an exhibition of work by Victor Matthews and Paolo Nicola Rossini exploring the theme of Transitions. Both artists question universal themes such as life, memory, dream and the subconscious, reality, time and space and transition from one moment or reality to the next. Rossini’s photography developed from the need to find a deeper conceptual approach to his work and a personal way of seeing and representing reality through landscapes (in the loosest sense of the word), elements, people and various still life. His multilayered images appear as suspended in time and space, almost indefinite as moments collide. His photographs melt their subjects together within each image, which combination changes the identity and reality of what the viewer sees, making the work seem more like a painting. The overlap of sequential images dissolving together creates a real distortion of the space. Rossini creates the illusion of depth and engages the viewer in seeking recognizable imagery by inventing a familiar yet anonymous terrain, simultaneously. This process aims to catch reality in its transition - a suspension between past and present; transition of spaces, subjects and moments .The photographs lose definition, their detail tends to disappear. The viewer is drawn to explore the abstract layers of information and Rossini seeks to engage us in the game of duality; creating a false imagery that lies somewhere between reality and illusion. Matthews’ paintings transcend from his dreams. He probes his subconscious in order to unravel universal perceptions of reality, memory and the world around us. His White Paintings, which reference the New York landscape, have a serenity and simplicity about them which is innocent and playful, demonstrating Matthews’ cherished relationship with his city and affording the viewer an intimate look into his psyche. The interplay of what appear to be shapes become apparent as iconic landmarks - water towers and bridges, cars, sidewalks, fire hydrants - these objects are immediately recognizable to every inhabitant as shared visual terrain; the very essence of Matthews' old Brooklyn neighbourhood. The paintings have a Modernist sensibility and based on a palate of white, the texture of the acrylic plays against the raw-colored linen canvas, demarcated by a strong presence of the two-dimensional — of line – which winds its way through his city charting the cartography of his subconscious mind. These paintings dip in and out of the detail of New York which is Matthews' life source - coursing its way through his blood - whether awake or asleep, he lives and breathes his city. Like the man himself, we dance along the joyful, happy strokes that punctuate the canvas – affirmative and present, effortlessly gliding, guiding our way through the metropolis. But it is in the balance and silence of these elegant works, that Matthews’ poised approach and focus are apparent, revealing the inner calm which is Matthews to a tee. He is an artist at peace with himself. The paintings personify a purity within him that transcends time and space. These two artists present a view of their reality, which leads the viewer to question our own perceptions of our surroundings. Matthews and Rossini challenge the transition of image from the minds eye, externalizing it through their painting and photography. The works suspend themselves on the edge of innovative creative and philosophical thought, and dare to ask where our interaction between the physical world and our imaginative life, begins and ends. Paolo Nicola Rossini lives and works in Monaco and Victor Matthews lives and works in New York. Both artists are represented by Space SBH – Contemporary Art Gallery. Nuova Icona is the sponsoring institution of the show and provides its management in Venice. The curator and artists wish to thank all private sponsors for their support as well as Francesco Clemente, Salman Rushdie and Kathleen Goncharov for their time and text contributions to the catalogue. Additionally, Transitions / Transizioni is a Sponsored Project of Artspire, a program of the New York Foundation for the Arts. Exhibition Opening Period : 26th July 2013 – 22nd September 2013 Museum Opening hours : Tues-Fri : 10-5pm, Sat & Sun : Noon – 5pm For more information about preview events contact [email protected]
https://cdn.artcld.com/img/w_400,h_400,c_fit/8ys92ym6glfohhg6jni4.jpg
Space Gallery St Barth
New York City
New York
2013-07-26T00:00:00.0000000
2013-09-22T00:00:00.0000000