Space Gallery St Barth is proud to have eleven of their artists represented in this years' 4th edition of the "Salon des Artistes de Saint Barthélemy" at the Wall House Territorial Museum (le Musée Territorial du Wall House), organized by Charles Moreau (Director of the Museum) and the Collectivité of Saint-Barthélemy.

This cultural initiative started in 2022 to highlight artworks by local artists or artists who are connected or inspired by the island of St Barth. The 4th Edition of the "Salon des Artistes" exhibits more than 40 artists, 11 of which are artists represented by Space Gallery St Barth: Gabriella Imperatori-Penn; Giorgio Pasqualetti; Julie Fumat; Marco Glaviano; Nadia Fanelli; Nathan Coe; Nicole Marques; Rémy de Haenen; Roger Moreau; Victor Matthews and the Director of the Wall House museum who is also an artist himself, Charles Moreau.

During the exhibition, all are welcome to visit and vote on their favourite pieces. 

The three categories for selection are:

1. Best Plastic Arts (paintings / drawings); 

2. Photography Work 

3. and Sculpture.

Entrance to the Salon des Artistes de Saint Barth 2025 at the Wall House Museum 

When one begins the exhibition, one is greeted by the first of Space Gallery's artists, Nadia Fanelli and her Sunset on the Beach, 2023.

An admiring observer viewing Nadia Fanelli's Sunset on the Beach, 2023 Acrylic, oil and resin on wood (39.37 x 39.37 in / 100 x 100 cm)

Nadia Fanelli Sunset on the Beach, 2023 Acrylic, oil and resin on wood (39.37 x 39.37 in / 100 x 100 cm)

Nadia Fanelli Sunset on the Beach, 2023 Acrylic, oil and resin on wood (39.37 x 39.37 in / 100 x 100 cm)

Nadia Fanelli is an Italian painter and mixed media artist whose work merges traditional techniques with experimental approaches. Trained at the Art Institute of Mantua in disciplines ranging from goldsmithing to porcelain, she continues to push the boundaries of painting through her use of unconventional materials.

"Sunset on the Beach, 2023", inspired by the landscapes of St. Barth, blends memory and place without depicting a specific location. Warm hues of orange and faint glimpses of distant yachts evoke a familiar, dreamlike atmosphere. Fanelli’s layered compositions shift with perspective, abstract and geometric up close, yet soft and immersive from afar, enhanced by transparent resin that captures the shimmering haze of summer light.
 

Nadia Fanelli would be a great choice for the Plastic Arts winning category.

Next up, between the blue paletted artworks connected to the Sea, Space Gallery's next artist, Victor Matthews presents his painting Her Alone Time, 2021

Victor Matthews Her Alone Time, 2021 Pigment painting on primed raw canvas (48 x 36 in / 121.92 x 91.44 cm)

Victor Matthews Her Alone Time, 2021 Pigment painting on primed raw canvas (48 x 36 in / 121.92 x 91.44 cm)

American artist, Victor Matthews is frequently in St Barth and is famed for his beautiful murals and white painted raw canvas outlined in  black. His Utopian Series is an Ode to St Barth itself! As it's a well kept secret paradise, a hidden Utopia only accessible to some.

In "Her Alone Time, 2021", Victor draws on familiar island motifs from his Utopian Series with a graceful coconut tree and the silhouette of a Caribbean local woman. This contemplative painting centers on a young woman who, much like the tree inside her, grows and evolves in solitude. Through quiet reflection, the work speaks to personal transformation and the quiet strength found in moments of stillness.

Victor’s painting makes him a standout candidate for the Plastic Arts winning category.

The public viewing the painting by Victor Matthews Her Alone Time, 2021 

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum, with an admirer contemplating Victor Matthews' painting Her Alone Time, 2021 

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum including the abstract painting by Giorgio Pasqualetti Colombier, 2021 

Giorgio Pasqualetti Colombier, 2021 Acrylic painting on canvas (43.30 x 35.40 in / 109.98 x 89.92 cm)

Italian artist Giorgio Pasqualetti draws inspiration from architecture and landscapes, interpreting the world through a refined language of geometric forms. By skillfully manipulating colour and composition, he creates works that appear deceptively simple—yet exude elegance, restraint, and a distinct sense of European sophistication.

In his interpretation of the waters of Colombier, St. Barth, Pasqualetti reimagines his signature polygonal shapes, layering them to evoke the shimmering light as it filters through the sea during a diver’s ascent. The result is an atmospheric piece that captures both movement and stillness, abstraction and emotion.

Pasqualetti’s distinctive style and technical mastery make him a strong contender for the Plastic Arts award category.

Viewers observing the painting by Giorgio Pasqualetti Colombier, 2021 Acrylic painting on canvas (43.30 x 35.40 in / 109.98 x 89.92 cm)

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum including the abstract painting by Giorgio Pasqualetti Colombier, 2021 

As one turns around the corner, one encounters a painting by Nicole Marques of her view of the Ilhe de Frégate St Barth (Frégate Island), 2023.

Nicole Marques Ilhe de Frégate St Barth (Frégate Island), 2023, acrylic on canvas board (painting: 10.63 x 16.14 in / 27 x 41 cm; framed: 16.73 x 20.67 in / 42.5 x 52.5 cm)

South African-born artist Nicole Marques debuted her work at last year’s edition of Le Salon des Artistes. This year, she presents an intimate perspective of "Frégate Island" as seen from Lorient Beach, a view captured during her first months living in St. Barth. In this painting, Marques envisions Mother Nature gently floating and resting in the island’s turquoise blue waters, symbolizing the strength of feminine beauty, sensuality, emotion, and power as they shape both the environment and its people.

The waves reflect the ever-changing rhythm of life, encouraging us to remain calm, trust the journey, and go with the flow. Above, the deep hues of the colourful sky suggest a quiet optimism, promising a hopeful, radiant future. This sense of serenity and quiet transformation mirrors the peaceful energy of the island itself, which first captured Nicole’s eye and continues to inspire her to see beauty in all things.

Nicole offers her mystical perspective of the island’s small îlet for consideration in the Plastic Arts winning category.

An admiring observer viewing Nicole Marques Ilhe de Frégate St Barth (Frégate Island), 2023

A group of viewers pointing out the hidden nude figure of Nicole Marques' Ilhe de Frégate St Barth (Frégate Island), 2023

In the next section of the exhibition, Rémy de Haenen's painting Clovis a Salines, 2022 and Nathan Coe's photography work Hiking, 2024 can be found.

Guests admiring both works by Rémy de Haenen Clovis a Salines, 2022 and Nathan Coe's Hiking, 2024

Rémy de Haenen Clovis a Salines, 2022 Oil on canvas (47.24 x 47.24 in / 120 x 120 cm)

Rémy de Haenen carries forward the legendary legacy of his father, who was the first pilot to land in St. Barth, founder of Eden Rock, and the island’s first mayor. Though born on the Caribbean island of Martinique, Rémy spent his childhood in St. Barth, where he formed cherished memories and gathered countless stories that continue to shape his creative vision.

His paintings are deeply rooted in personal recollections of the Caribbean’s paradisiacal landscapes. This year, at Le Salon des Artistes, Rémy presents an evocative oil painting of a Caribbean local named Clovis wearing a wide-brimmed hat to shield himself from the scorching sun. The figure appears to be working near the salt lake in Saline, walking barefoot across a dry, sunbaked terrain rendered in warm hues of yellow, salmon, and red.

Rémy’s nostalgic and expressive style makes him a compelling contender for the Plastic Arts award category.

A guest stopping to appreciate Rémy de Haenen's painting Clovis a Salines, 2022

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum with the painting by Rémy de Haenen Clovis a Salines, 2022 and photogarphy work Nathan Coe Hiking, 2024

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum with the painting by Rémy de Haenen Clovis a Salines, 2022 and photogarphy work Nathan Coe Hiking, 2024

An exhibition guest taking a closer look at Nathan Coe Hiking, 2024 Limited edition fine art photograph (40 x 54 in / 101.60 x 137.16 cm)

Art lovers discussing Nathan Coe's Hiking, 2024 Limited edition fine art photograph (40 x 54 in / 101.60 x 137.16 cm)

Nathan Coe Hiking, 2024 Limited edition fine art photograph (40 x 54 in / 101.60 x 137.16 cm)

British photographer Nathan Coe is known for his cinematic beachscapes and subtle use of the nude female form often shown from behind, blending seamlessly into the natural environment. His work explores the quiet connection between people and place, with a style that merges nostalgic elegance and contemporary edge.

Coe studied Photography & Media in Gloucestershire, England, before moving to Nantucket, where he became Creative Director of N Magazine and developed his distinctive aesthetic. His large-format, single-edition prints often resemble paintings, radiating a sublime, timeless quality.

At Le Salon des Artistes, Coe presents "Hiking, 2024", a black-and-white photograph taken along the trail to the Salt Lake enclosed by the mountains in Saline. At first glance, it’s a serene landscape, but a closer look reveals a discreet nude figure walking the path. This subtle, playful detail drew viewers in, inviting them to engage more deeply with the image.

Nathan Coe’s refined and quietly provocative style makes him a standout contender in the Photography Work category.

Detail of Nathan Coe's hidden female nude in Hiking, 2024

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum with the watercolour print by Julie Fumat St Jean Bay, 2024, photography work by Gabriella Imperatori-Penn Island Mountain #1, 2018 and Marco Glaviano Eleonora (St Barth), 2005 and the St Barth Heart Sculptures by Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025.

Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025, yellow and blue pigmented natural concretion of natural rocks on metallic bases.

Roger Moreau has his heart in Saint Barth! His famous Coeur de St Barth sculptures are immediately recognisable, and can be spotted in breath taking sites around the Island. 

Last year due to current events with various different wars happening around the world, Roger Moreau was inspired by the poem by Robert Desnos, that describes how painfully his heart hates war. 

For this year’s exhibition, Roger symbolically used the colours of the Ukrainian flag in his Stone Hearts to express his deep wish for peace in Ukraine. Through this work, he conveys a heartfelt hope for the end of the war, and a yearning for liberty, harmony, and goodness (Liberté, Concorde et Bonté).

A heartfelt plea for peace in Ukraine in the Sculpture winning category of the Salon des Artistes this year.

Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025, yellow and blue pigmented natural concretion of natural rocks on metallic bases.

Photography work by Marco Glaviano Eleonora (St Barth), 2005 and the St Barth Heart Sculptures by Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025.

Photography work by Marco Glaviano Eleonora (St Barth), 2005 and the St Barth Heart Sculptures by Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025.

Marco Glaviano Eleonora (St Barth), 2005, Limited edition pigmented fine art print69 x 49 in (175.26 x 124.46 cm)

This photo is a stunning image of the Italian ballet dancer and model, Eleonora Abbagnato, on point on Shell Beach in St Barth.
 

Legendary photographer Marco Glaviano is renowned for his influential work in fashion and portrait photography, having captured some of the world’s most iconic supermodels and celebrities over the past six decades. A pioneer of digital photography in the early 1990s, Glaviano’s refined eye and mastery of light have made him a defining figure in contemporary visual culture.

On view at the 2025 edition of Le Salon des Artistes de Saint Barthélemy is Eleonora (St Barth), 2005, a striking black-and-white nude of prima ballerina Eleonora Abbagnato, captured en pointe on the golden sands of Shell Beach. With poise, strength, and grace, she becomes a sculpture of movement framed by nature. The photograph merges elegance and raw beauty, embodying Glaviano’s timeless aesthetic. 

This powerful work by Marco Glaviano is an excellent choice for the Photography Work winning category.

Marco Glaviano Eleonora (St Barth), 2005, Limited edition pigmented fine art print69 x 49 in (175.26 x 124.46 cm)

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum

Photography work by Marco Glaviano Eleonora (St Barth), 2005 and the St Barth Heart Sculptures by Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025.

Photography work by Gabriella Imperatori-Penn Island Mountain #1, 2018 and Marco Glaviano Eleonora (St Barth), 2005 and the St Barth Heart Sculptures by Roger Moreau Ukraine: Liberté, Concorde et Bonté, 2025.

Gabriella Imperatori-Penn Island Mountain #1, 2018, Archival pigment print photograph on fine art paper34 x 44 in (86.36 x 111.76 cm)

Gabriella Imperatori-Penn is a fine art photographer. She was always drawn to the quiet conversations of still life, which led to an extensive commercial and editorial career. Her work is both bold and feminine, marrying the descriptive and mysterious. Other travels both for commercial and personal reasons continually stimulate her photographic nature studies.

Gabriella’s selected piece for this year’s Salon des Artistes is a striking photograph of St. Barth’s arid landscape "Island Mountain #1, 2018". Taken on the island itself, the image captures one of its many rugged mountains with its volcanic rocks appearing almost like pieces of a natural jigsaw. The stark, barren terrain evokes the island’s ancestral name, Ouanalao, given by the Arawak and Taíno peoples, meaning “Land of Salt.” It serves as a quiet reminder that St. Barth was once uninhabited year-round, due to its limited freshwater sources and poor soil for cultivation.

Gabriella presents her rocky landscape for the Photography winning category.

Watercolor print by Julie Fumat St Jean Bay, 2024 and photography work by Gabriella Imperatori-Penn Island Mountain #1, 2018

Julie Fumat St Jean Bay, 2024, Limited edition Watercolor Print (42 x 29.70 cm / 16.54 x 11.69 in)

French artist Julie Fumat studied at the École des Beaux-Arts in Paris and worked as a gallery owner before developing a multidisciplinary practice blending photography, photomontage, and painting. Now based in Saint Barthélemy, she works under the name Moon St Barth, creating delicate ink and watercolour pieces that celebrate the island’s charm. Her St Barth Watercolor Collection features limited-edition prints that play with light and transparency, capturing iconic landmarks with colour, warmth, and nostalgia.

Among them is "St Jean Bay, 2024" exhibitted at Le Salon des Artistes with a vibrant illustration of one of the island’s most recognized scenes. The piece captures the landing scene in St. Barth, with the iconic Eden Rock nestled in the background. Like all works in the series, it balances nostalgia with joyful precision, making it a perfect keepsake or gift for St. Barth lovers.

Julie Fumat’s poetic and colourful tributes to the island make her a strong contender for the Plastic Arts award category.

Julie Fumat St Jean Bay, 2024, Limited edition Watercolor Print (42 x 29.70 cm / 16.54 x 11.69 in)

Viewers admiring the photography work by Gabriella Imperatori-Penn Island Mountain #1, 2018

Viewers admiring the photography work by Gabriella Imperatori-Penn Island Mountain #1, 2018

Right by the exit at the end of the exhibition the Wall House Museum Director Charles Moreau humbly and discreetly exhibits his painting Tortue, 2025 (Chelonoidis carbonarius).

Charles Moreau Tortue, 2025 (Chelonoidis carbonarius), oil on canvas. 

The tortoise is a powerful symbol of wisdom, longevity, and protection in many cultures. With its home on its back, it embodies resilience and inner security. Traditionally placed near entrances to guard against negative energy, the positioning of Moreau’s painting may carry deeper meaning than first appears.

Charles Moreau Tortue, 2025 (Chelonoidis carbonarius), oil on canvas

Charles Moreau is a French realist painter who is considered a local artist of Saint Barthélemy, where he and his family have lived for many years. In addition to being a talented artist represented by Space Gallery St Barth, Moreau also serves as the Director of the Wall House Territorial Museum and its cultural program.

Known for painting life-size depictions of local fauna and flora, Moreau finds poetry in the overlooked by highlighting species that are often discarded or ignored, and reflecting on the quiet beauty of biodiversity. His works aim to reveal the unexpected grace in what globalization has left behind, while encouraging respect for all living beings. Moreau paints each subject at its exact scale and prefers to title his works with the scientific names of the species, reinforcing the connection between art and natural history.

This year, he presents "Tortue", a striking oil on canvas depicting the Red-footed tortoise (Chelonoidis carbonarius) - a species native to South America and long introduced to St Barth, where it is now very common. The first recorded mention of this species on the island was made by l’Herminier in 1815. Through this detailed, life-sized portrait, Moreau invites us to reflect on the island’s ecological story and perhaps, more than we realize, the symbolism of protection and endurance that the tortoise quietly carries.

Charles invites all to come visit the Exhibition, to admire, observe and vote for their favourite pieces. May the best artist win!

Charles Moreau Tortue, 2025 (Chelonoidis carbonarius), oil on canvas

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum

General view of the Salon des Artistes de Saint Barth 2025 at the Wall House Museum

Inspired by the French Salon des Artistes which began in the 19th century in Paris, the object of this event in St Barth proposed by the Wall House Museum is both simple and popular. It's to bring people together, make culture accessible to all and invite especially the younger generation to view the pieces and inspire them to do great things in future.

Which one of our artists would you vote for?

The 4ème édition du Salon des Artistes de Saint Barthélemy will be in exhibition at the Wall House Museum, in Gustavia St Barth, from 

June 21st to July 26th 2025.

For more information on any of Space Gallery St Barth Artists' represented at the Salon des Artistes de St Barth feel free to contact info@spacestbarth.com

Opening Hours of the Saint Barthélemy Wall House Territorial Museum (le Musée Territorial du Wall House):

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